ABOUT
My work explores the tension between stability and chaos. A deeply personal landscape shaped by self-destruction, freedom, and the pursuit of infinite possibility. I am drawn to materials that have been discarded or forgotten, giving life back to what has been overlooked. In doing so, I mirror something within myself: the transformation of what feels fractured into something alive.
I paint instinctively. Time has always felt like my greatest adversary. Being self-taught has granted me the freedom to push beyond convention, yet once I begin a piece, I feel compelled to complete it in a single sitting. That urgency does not come from fear of the outcome, but from fear of hesitation, of pausing long enough to question where I am going.
Over time, I’ve learned that true art is not about control. It is about surrender. It is about stepping into the unknown and allowing the work to reveal itself. Each completed painting feels like a chain broken - necessary, liberating, and making space for what comes next.
THE BITTERSWEET JOY OF SELF DISCOVERY
Creating compels me to see beauty everywhere, even as it forces me to confront my own limitations. Yet those limits never restrain me; they challenge me to dissolve the boundary between hand and mind. Art teaches me to tell a story regardless of how it ends; to release the need for approval and trust the quiet truth of self-expression.
Life is not only lived in its bold chapters, but in its footnotes.. in subtle highs and quiet lows. There is meaning in both. My style and subjects are in constant flux. I can be moved by countless emotions in a single day, and often they all find their way onto one canvas. I work with pencil, charcoal, ink, coffee, wine, watercolour, oils, industrial paint, and the forgotten materials of everyday life — whatever is near, whatever carries history.
THE BEAUTY OF THE UNFINISHED
Beginning a painting feels like meeting someone for the first time. With each brushstroke, shapes and shadows emerge as if they were waiting beneath the surface. Figures, faces, fragments of stories appear - and I want to know them instantly. I am an eager, impatient painter, hungry to understand what is forming before me. In these encounters, I fall in love with the process itself. Some questions are answered; others remain suspended, allowing space for wonder. The unfinished holds as much power as the resolved. It is there, in uncertainty, that discovery lives.